[Computational-biology] evomusart 2013 CFP - 2nd International Conference

Penousal Machado via comp-bio%40net.bio.net (by evomusart from gmail.com)
Wed Jul 18 05:06:22 EST 2012


*evo***** call for papers*

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*evo**musart** 2013*

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*2nd International Conference on Evolutionary and Biologically Inspired
Music, Sound, Art and Design

3-5 April 2013 / Vienna, Austria
**http://www.evostar.org* <http://www.evostar.org/>*

Submission 1 November 2012
Conference 3-5 April 2013
Notification to authors 21 December 2012
Camera-ready deadline 15 January 2013***

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*Following the success of previous events and the importance of the field
of evolutionary and biologically inspired music, sound, art and design,
evomusart has become an evo***** conference with independent proceedings.
Thus, evo**musart** 2013 is the eleventh European Event and the second
International Conference on Evolutionary and Biologically Inspired Music,
Sound, Art and Design.*

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*The use of biologically inspired techniques for the development of
artistic systems is a recent, exciting and significant area of research.
There is a growing interest in the application of these techniques in
fields such as: visual art and music generation, analysis, and
interpretation; sound synthesis; architecture; video; poetry; design; and
other creative tasks.*

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*The main goal of evo**musart **2013 is to bring together researchers who
are using biologically inspired computer techniques for artistic tasks,
providing the opportunity to promote, present and discuss ongoing work in
the area.*

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*The event will be held from 3-5 April, 2013 in Vienna, Austria as part of
the evo***** event.*

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*Submissions will be rigorously reviewed for scientific and artistic merit.
Accepted papers will be presented orally or as posters at the event and
included in the evomusart proceedings, published by Springer Verlag in a
dedicated volume of the Lecture Notes in Computer Science series. The
acceptance rate at evomusart 2012 was 34.9% for papers accepted for oral
presentation, or 46.5% for oral and poster presentation combined.*

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*Topics of interest*

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*Submissions should concern the use of biologically inspired computer
techniques -- e.g. Evolutionary Computation, Artificial Life, Artificial
Neural Networks, Swarm Intelligence, other artificial intelligence
techniques -- in the generation, analysis and interpretation of art, music,
design, architecture and other artistic fields. **Topics of interest
include, but are not limited to:*

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*Generation*

=B7       *Biologically Inspired Design and Art -- Systems that create
drawings, images, animations, sculptures, poetry, text, designs, webpages,
buildings, etc.;*

=B7       *Biologically Inspired Sound and Music -- Systems that create
musical pieces, sounds, instruments, voices, sound effects, sound analysis,
etc.;*

=B7       *Robotic-Based Evolutionary Art and Music;*

=B7       *Other related artificial intelligence or generative techniques i=
n
the fields of Computer Music, Computer Art, etc.;*

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*Theory*

=B7       *Computational Aesthetics, Experimental Aesthetics; Emotional
Response, Surprise, Novelty;*

=B7       *Representation techniques;*

=B7       *Surveys of the current state-of-the-art in the area;
identification of weaknesses and strengths; comparative analysis and
classification;*

=B7       *Validation methodologies;*

=B7       *Studies on the applicability of these techniques to related area=
s;*

=B7       *New models designed to promote the creative potential of
biologically inspired computation;*

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*Computer Aided Creativity and computational creativity*

=B7       *Systems in which biologically inspired computation is used to
promote the creativity of a human user;*

=B7       *New ways of integrating the user in the evolutionary cycle;*

=B7       *Analysis and evaluation of: the artistic potential of biological=
ly
inspired art and music; the artistic processes inherent to these
approaches; the resulting artifacts;*

=B7       *Collaborative distributed artificial art environments;*

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*Automation*

=B7       *Techniques for automatic fitness assignment;*

=B7       *Systems in which an analysis or interpretation of the artworks i=
s
used in conjunction with biologically inspired techniques to produce novel
objects;*

=B7       *Systems that resort to biologically inspired computation to
perform the analysis of image, music, sound, sculpture, or some other types
of artistic object.*

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*Additional information and submission details*

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*Submit your manuscript, at most 12 A4 pages long, in Springer LNCS format
(instructions downloadable from *

*http://www.springer.com/computer/lncs?SGWID=3D0-164-6-793341-0*<http://www=
.springer.com/computer/lncs?SGWID=3D0-164-6-793341-0>
**

*no later than November 1, 2012.  *

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*The reviewing process will be double-blind; please omit information about
the authors in the submitted paper.*

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*Programme committee***

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*Alain Lioret, Paris 8 University, France***

*Alan Dorin, Monash University, Australia***

*Alejandro Pazos, University of A Coruna, Spain***

*Alice Eldridge, Monash University, Australia***

*Amilcar Cardoso, University of Coimbra, Portugal***

*Amy K. Hoover, University of Central Florida, USA***

*Andrew Brown, Griffith University, Australia***

*Andrew Gildfind, Google, Inc., Australia***

*Andrew Horner, University of Science & Technology, Hong Kong***

*Anna Ursyn, University of Northern Colorado, USA***

*Antonino Santos, University of A Coruna, Spain***

*Arne Eigenfeldt, Simon Fraser University, Canada***

*Artemis Sanchez Moroni, Renato Archer Research Center, Brazil***

*Benjamin Schroeder, Ohio State University, USA***

*Bill Manaris, College of Charleston, USA***

*Brian Ross, Brock University, Canada***

*Carlos Grilo, Instituto Polit=E9cnico de Leiria, Portugal***

*Colin Johnson, University of Kent, UK***

*Dan Ashlock, University of Guelph, Canada***

*Dan Costelloe, Independent Researcher (Solace One Ltd), Ireland***

*Daniel Jones, Goldsmiths College,  University of London, UK***

*Douglas Repetto, Columbia University, USA***

*Eduardo Miranda, University of Plymouth, UK***

*Eelco den Heijer, Vrije Universiteit Amsterdam, Netherlands***

*Eleonora Bilotta , University of Calabria, Italy***

*Erik Hemberg, University College Dublin, Ireland***

*Francois Pachet, Sony CSL Paris, France***

*Gary Greenfield, University of Richmond, USA***

*Hans Dehlinger, Independent Artist, Germany***

*Hern=E1n Kerlle=F1evich, National University of Quilmes, Argentina***

*J. E. Rowe, University of Birmingham, UK***

*James McDermott, University of Limerick, Ireland***

*Jeffrey Ventrella, independent artist/researcher, USA***

*John Collomosse, University of Surrey, UK***

*Jon McCormack, Monash University, Australia***

*Jos=E9 Fornari, NICS/Unicamp, Brazil***

*Juan Romero, University of A Coruna, Spain***

*Marcelo Freitas Caetano, IRCAM, France***

*Marcos Nadal, University of Illes Balears, Spain***

*Matthew Lewis, Ohio State University, USA***

*Michael O=92Neill, University College Dublin, Ireland***

*Nicolas Monmarch=E9, University of Tours, France***

*Oliver Bown, University of Sidney, Australia***

*Palle Dahlstedt, G=F6teborg University, Sweden***

*Paulo Urbano, Universidade de Lisboa, Portugal***

*Pedro Cruz, University of Coimbra, Portugal***

*Penousal Machado, University of Coimbra, Portugal***

*Peter Bentley, University College London , UK***

*Philip Galanter, Texas A&M College of Architecture, USA***

*Philippe Pasquier, Simon Fraser University, Canada***

*Rafael Ramirez, Pompeu Fabra University, Spain***

*Roger Malina, International Society for the Arts, Sciences and Technology,
USA***

*Roisin Loughran, University of Limerick, Ireland***

*Ruli Manurung, University of Indonesia, Indonesia***

*Scott Draves, Independent Artist, USA***

*Simon Colton, Imperial College, UK***

*Somnuk Phon-Amnuaisuk, University Tunku Abdul Rahman, Malaysia***

*Stephen Todd, IBM, UK***

*Takashi Ikegami, Tokyo Institute of Technology, Japan***

*Tim Blackwell, Goldsmiths College,  University of London, UK***

*Vic Ciesielski, RMIT, Australia***

*William Latham, University of London, UK***

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*Conference chairs***

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*Penousal Machado***

*University of Coimbra, Portugal***

*machado(at)**dei.uc.pt* <http://dei.uc.pt/>**

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*James McDermott***

*University College Dublin, Ireland***

*jamesmichaelmcdermott(at)**gmail.com* <http://gmail.com/>**

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*Publication chair***

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*Adrian Carballal***

*University of A Coruna, Spain***

*adrian.carballal(at)**udc.es* <http://udc.es/>**

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